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Hans Zender

Zender: Schubert's "Winterreise" - A Composed Interpretation

$87.95
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Breitkopf & Härtel  |  SKU : EB9394  |  Code-barres: 9790004188682
  • Composer: Hans Zender (1936-2019)
  • Piano reduction: Christophe Barwinek
  • Format: Vocal Score
  • Instrumentation (this edition): Piano Reduction, Tenor
  • Originally for: Orchestra, Tenor
  • Work: Schubert's "Winterreise" (A Composed Interpretation) (1993)
  • Work Language: German
  • ISMN: 9790004188682
  • Size: 9.1 x 12.0 inches
  • Pages: 120

Description

World premiere: Frankfurt am Main, September 21, 1993

My "lecture" of the Winterreise does not demand a new expressive interpretation, but instead systematically exercises the freedom which all interpreters allow themselves intuitively, such as: Instrumental dilation i. e. acceleration of the pace, transposition into other keys and elaboration of characteristic color timbres. in addition, there are further ways of "reading"; the music; jumping around in the text, repeating certain lines, interrupting the continuity, comparing different expressions of the same phrase … All these new possibilities are subjected to my compositional discipline and form autonomous formal processes which are imposed on Schuberts original. The transformation of the piano tones into a multifaceted orchestra full of resonance is only one of many aspects. (Hans Zender)

  1. Gute Nacht
  2. Die Wetterfahne
  3. Gefrorne Tränen
  4. Erstarrung
  5. Der Lindenbaum
  6. Wasserflut
  7. Auf dem Flusse
  8. Rückblick
  9. Irrlicht
  10. Rast
  11. Frühlingstraum
  12. Einsamkeit
  13. Die Post
  14. Der greise Kopf
  15. Die Krähe
  16. Letzte Hoffnung
  17. Im Dorfe
  18. Der stürmische Morgen
  19. Täuschung
  20. Der Wegweiser
  21. Das Wirtshaus
  22. Mut!
  23. Die Nebensonnen
  24. Der Leiermann
Breitkopf & Härtel

Zender: Schubert's "Winterreise" - A Composed Interpretation

$87.95

Description

World premiere: Frankfurt am Main, September 21, 1993

My "lecture" of the Winterreise does not demand a new expressive interpretation, but instead systematically exercises the freedom which all interpreters allow themselves intuitively, such as: Instrumental dilation i. e. acceleration of the pace, transposition into other keys and elaboration of characteristic color timbres. in addition, there are further ways of "reading"; the music; jumping around in the text, repeating certain lines, interrupting the continuity, comparing different expressions of the same phrase … All these new possibilities are subjected to my compositional discipline and form autonomous formal processes which are imposed on Schuberts original. The transformation of the piano tones into a multifaceted orchestra full of resonance is only one of many aspects. (Hans Zender)

  1. Gute Nacht
  2. Die Wetterfahne
  3. Gefrorne Tränen
  4. Erstarrung
  5. Der Lindenbaum
  6. Wasserflut
  7. Auf dem Flusse
  8. Rückblick
  9. Irrlicht
  10. Rast
  11. Frühlingstraum
  12. Einsamkeit
  13. Die Post
  14. Der greise Kopf
  15. Die Krähe
  16. Letzte Hoffnung
  17. Im Dorfe
  18. Der stürmische Morgen
  19. Täuschung
  20. Der Wegweiser
  21. Das Wirtshaus
  22. Mut!
  23. Die Nebensonnen
  24. Der Leiermann
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